Vellum LA is pleased to announce Brief Histories of Simulated Lifeforms, Sofia Crespo’s first-ever solo show, curated by Jesse Damiani and Sinziana Velicescu. Brief Histories draws artworks from Crespo’s Artificial Natural History series. Framed as a “book that never was,” offering a collection of botanical and zoological observations of speculative life. Crespo’s body of work reflects a profound relationship between the physical and digital while troubling the usual binary approach to the two, proposing instead that each has valuable—and urgent—insights to bring to the other.

Vellum LA is pleased to announce Brief Histories of Simulated Lifeforms, Sofia Crespo’s first-ever solo show, curated by Jesse Damiani and Sinziana Velicescu. Brief Histories draws artworks from Crespo’s Artificial Natural History series. Framed as a “book that never was,” offering a collection of botanical and zoological observations of speculative life. Crespo’s body of work reflects a profound relationship between the physical and digital while troubling the usual binary approach to the two, proposing instead that each has valuable—and urgent—insights to bring to the other.

Vellum LA is pleased to announce Brief Histories of Simulated Lifeforms, Sofia Crespo’s first-ever solo show, curated by Jesse Damiani and Sinziana Velicescu. Brief Histories draws artworks from Crespo’s Artificial Natural History series. Framed as a “book that never was,” offering a collection of botanical and zoological observations of speculative life. Crespo’s body of work reflects a profound relationship between the physical and digital while troubling the usual binary approach to the two, proposing instead that each has valuable—and urgent—insights to bring to the other.

Vellum LA is pleased to announce Brief Histories of Simulated Lifeforms, Sofia Crespo’s first-ever solo show, curated by Jesse Damiani and Sinziana Velicescu. Brief Histories draws artworks from Crespo’s Artificial Natural History series. Framed as a “book that never was,” offering a collection of botanical and zoological observations of speculative life. Crespo’s body of work reflects a profound relationship between the physical and digital while troubling the usual binary approach to the two, proposing instead that each has valuable—and urgent—insights to bring to the other.