Decentraland and Over the Reality organized an event with international artists that aims to become a benchmark for the entertainment industry. A milestone in the history of the Metaverse.

Welcome to the Blenders Pride Glassware Fashion Park! Try on and own one-of-a-kind wearables from India's leading designers or be your very own showstopper and walk our ramp. With a range of fun activities and exciting goodies to be won, drop by and experience fashion like never before!

This is the first official attendee badge for the quarterly all hands meeting for open exo. Having this badge will unlock perks and nft drops in the future.

We are going to have a party for ECOmmunity at the JENR8 club (from one of the most important clubs in the music industry in the world Amnesia from Ibiza) in Decentraland. Anyone who owns this POAP can earn ECO points.

It is the year 2049. Feel the dystopian ethos of the world around you and meet NAYOM1 – the protagonist of the collection. She will guide you through the fascinating CyberPunk City. Casadei & Another1 introduce a pop-up space dedicated to Project NAYOM1 release - an exclusive phygital web3 project. Come and see the experience built by DAPPCRAFT and get a POAP badge, and each POAP holder will be airdropped with a special wearable after the event. Distribution plan - POAP booth (with captcha) in Decentraland

Join us on Monday 10pm EST for a special guest curated battle! @DarkenedM00d Will be stopping by @nftsmart and @decentraland to talk about his contender, @oddcr0w who will be battling BB studios’ submission from @BarbaraBezina

Decentral Games’ presents KILLABEARS x Decentral Games Sit-N-Go Wearable Drop Party @ 1AM UTC / 9pm EST Decentral Games' Tominoya Casino (-119,134)

Enjoy the songs of the jungle in Decentraland with fellow Sol Lion holders!

London based Dubliner Louis Brennan is a singer-songwriter in the folk tradition. His folk however aren’t the field hands and travelling minstrels of yore but the repressed middle managers and ennui-ridden urbanites of late stage capitalism. They populate tales of bad sex, half-drunk commutes and interpersonal claustrophobia delivered in Brennan’s cracked baritone, at times embarrassingly intimate, at times spuriously broad, peppered with pitch-black humour. Brennan has performed in many guises on many stages and is known for a live show that takes the listener on a journey, turning the mirror from himself onto the audience, commanding dynamics as if conducting an orchestra not standing alone with an acoustic guitar.