This panel discussion features represented artist Jake Elwes, Samantha King (Head of Programme at VIVE Arts), Sylvain Levy (Collector, DSL Collection), and Catherine Troiano (V&A Curator of Photography). This conversation coincides with Jake Elwes' highly anticipated inaugural solo show, Data • Glitch • Utopia, at Gazelli Art House. Furthermore, it celebrates the commissioning of a new iteration of Elwes' groundbreaking work, The Zizi Show (2020), for the newly opened Photography Centre at the Victoria and Albert Museum (V&A), on view until April 2024. Samantha King, Head of Programme at VIVE Arts, will bring her expertise in the intersection of art and virtual reality to the discussion. As a key collaborator in the partnership exhibition between Gazelli Art House and VIVE Arts, she will shed light on the UK premiere of Cheng Ran's immersive work, Always I Distrust (2020), showcased in our Project Space, in conversation with Sylvain Levy (Collector, DSL Collection). Catherine Troiano, curator at the V&A, will provide valuable insights into the significance of Elwes' commissioned artwork, The Zizi Show, within the broader context of the museum's commitment to showcasing cutting-edge contemporary photography. Troiano's expertise in curating exhibitions that explore the evolving role of technology in art and culture will enrich the discussion.

Join us for our next Tuesday Talk, Non-binary States: Quantum Superposition in Digital Art, featuring Libby Heaney in conversation with Paul Luckraft (Senior Curator at Zabludowicz Collection). The talk will explore the use of quantum computing in digital art, specifically focusing on the pluralities of non-binary states in quantum computing and how these translate back to the digital. Delving into Libby Heaney’s current solo exhibition Ent-er the Garden of Forking Paths at our Project Space which premiered Ent- (Many Paths Version) (2022) in the UK. Exploring the concepts of quantum superposition and entanglement and their meaning and applications in digital art, the discussion will also cover the future of quantum computing in art, including speculation around a future quantum game engine. As the first artist to use quantum computing as a functioning artistic medium, Libby Heaney is leading a timely contemplation on the near-future of lived experience. Prompting thought on determinism, Ent-er the Garden of Forking Paths hinges on the notion of quantum superposition, or “the ability for one thing to be in two or more possibilities at the same time”

This noteworthy panel discussion features Pita Arreola, Curator of Digital Art at the Victoria & Albert Museum in London, Sougwen Chung an artist considered a pioneer in the field of human-machine collaboration (GAZELL.iO February Resident), Recycle Group, an artist duo renowned for their innovative sculptures that blend physical and digital elements (coinciding with their current show Sapient at Gazelli Art House), and Matteo Zamagni, a prolific artist working in the virtual and augmented reality space (coinciding with his current show Refracted Bodies at Gazelli Art House). The panel will be moderated by Luba Elliott, a curator, writer and researcher specialising in artificial intelligence in art. The panellists will discuss their experiences with incorporating digital art, AI, VR, and XR into their practice and creative processes, and the unique possibilities and challenges that these technologies present.

This is the POAP for attendees of the London preview of Ex-Machina: A History of Generative Art. Phillips invites you to a cocktail and private preview of our upcoming curated online sale Ex-Machina: A History of Generative Art.

London gathering of Bright Moments in the run-up to IRL minting of CryptoLondoners in July 2022.

CONGRATULATIONS! YOU HAVE CLAIMED A POAP FROM TRLAB A web3 platform and production studio for discovering and collecting NFT art from the world’s leading artists This POAP commemorates your attendance at THE ART BUSINESS CONFERENCE LONDON MARCH 25, 2022 Continue the conversation about NFTs in the art world by joining TRLab’s Discord Community here: https://discord.com/invite/X38fF4uhFp or visit us at https://TRLab.com Original artwork by pioneering digital artist Brendan Dawes Brendan is a UK based artist using generative processes involving data, machine learning and code to create interactive installations, electronic objects, online experiences, data visualizations, motion graphics and physical sculptures. A Lumen Prize and Aesthetica Art prize Alumni, his work has been featured in exhibitions across the world including Big Bang Data in 13 cities, and 3 MoMA shows in New York. His work Cinema Redux became part of the MoMA permanent collection in 2008. The Art Business Conference is the leading global platform for the discussion of key issues in today’s art market. Founded in 2014, the one-day conferences hosted in London, New York and Shanghai are attended by senior art market professionals offering knowledge and insight for all those running an art business or art collection. Visit  https://www.theartbusinessconference.com for more.